Indy Fantasy Authors: Sever Bronny!

indyfantasywritersAnother week, and we have another victim Indy Author arriving at the hallowed steps of the Guild to talk on the subject of covers; the ever thought-provoking, danger-writing, industrial-music-making Sever Bronny, author of The Arinthian Line and Fury of a Rising Dragon.

nb. Navigate to the Categories menu for previous interviews!

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Sever Bronny, Legend (The Arinthian Line, book 5)

Latest Work: Burden’s Edge (Fury of a Rising Dragon, book 1)

Legend: Book IV of The Arinthian Line by Sever Bronny

Tell us about your cover. What does it show? Why is this one your favorite?

I chose Legend (The Arinthian Line, book 5) as my favorite of the first series because it’s the one I put most time in, and the one I applied all my best tricks to. It shows a hooded figure coming upon a castle, and there is an abundance of color and subtle blending.

My initial cover concept for the whole series (Arcane, The Arinthian Line, book 1) was a brute force approach (see comparison of all five books and note the evolution). I’d craft a cover concept, screenshot a google images search of the best covers in my genre, and drag and drop my latest cover draft onto the screenshot. I only went forward when I thought I had a cover idea that could compete with the big boys. Mind, that took well over fifty variations, annd the initial published version was still way too dark.

Interestingly, I hired a professional cover designer for my latest work, Burden’s Edge (Fury of a Rising Dragon, book 1) and truly wish I had had the courage to hire someone like that in the first place. I can crank something out using the brute force method, but that’s no substitution for someone who loves what they do full time. I learned that the hard way, but won’t be making that mistake again. You can see the difference between an amateur and a professional when you compare my first series covers with Burden’s Edge (Fury of a Rising Dragon, book 1). I got lucky in that my first series took off, but it could have easily ended in disaster. In fact, had I hired a professional, I strongly suspect I would have done that much better. Fellow indies take note.

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The adventures of Sever (the author or the musician) can be followed here:

Legend, Book IV of The Arinthian Line can be brought here.

The Arinthian Line, fantasy ebook series by Sever Bronny.

Indy Fantasy Writers: Richard Billing!

indyfantasywritersWelcome back, Gentle Readers. I trust that the New Year saw you all drowning in books, and to that TBR pile I would love to add the latest addition to the Guild; the erudite and truly-nice-chap, Richard Billing, author of The General.

nb. Every week, here at the erstwhile home of the Guild (not really a home as such, more of a drinking spot for the itinerant adventurers that indy writers so often are) this blog is lucky enough to host a discussion on different aspects of the indy writing obsession occupation with some fantastic names. We hope that you enjoy, and that it inspires you to put pen to paper yourself!

This series of interviews is on the subject of covers.

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Richard Billing, The General

Latest Work: Magpie

Series Title: The Last Magpie

The General, by R. Billing

Tell us about your cover. What does it show? Why is this one your favorite?

This cover means a lot to me. It was hand drawn by my friend and soon-to-be brother-in-law, Mark Vernall. Mark prepared this cover for a collection of two short stories written by myself and my best friend Mark Brooks. We decided to self-publish these tales of ours to raise money for my grandmother’s care home, and I’m delighted to say we managed to hit our fundraising goal!

While my story falls under the high fantasy genre, Mark Brooks’s is an existentialist tale, both very different, but one Mark Vernall managed to capture thematically in one image.

The focal point of this image—the giant tree—is taken from my story, The General. It follows the tale of a military leader sent on a mission about which he has mixed feelings. The discoveries he makes causes him to call into question aspects of his life he otherwise accepted unconditionally.

Both of our stories look at the fragility of life and the corruption of morality and that’s why we agreed that the daffodils, which feature in both of our stories, would work well. For us, the daffodil symbolises hope, the prospect of change, and the delicate nature of life. The colour yellow reflects how life can become corrupted and tainted, poisoned almost. Those creepy leering eyes in the top corners represent death itself, ever watching and waiting.

It’s the little details that I love most about this image. How you can see every leaf on the tree, almost imagine bees buzzing about the daffodils, and how the fonts manage to reflect the two very different types of story. The font for The General features a sword in the letter ‘G’ and is done in a style which sits comfortably in the fantasy realm. The font for The Visitor on the other hand, is clean and simple, though the story itself is one of complex emotion. Mark included another detail too: can you spot the frog? It took me a while.

This cover will always remain one of my favourites, not only for the beautiful images crafted by hand but for what it means to me—working with some of the best people I know to raise money to better the lives of others.

We’ll continue to donate all proceeds to charity, so if you’re feeling generous why not buy a copy!

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The online adventures of Richie Billing can be found here.

The General can be purchased here (with proceeds being donated to a good cause, y’all).


Indy Fantasy Writers: Alice Gristle!

indyfantasywritersOkay, gentle peeps – you know the drill. This blog is fortunate enough to be able to host a series of interviews with indy fantasy authors, covering various aspects of their work and the self-publishing process. Last week we talked to Richard M. Ankers, and today we will be chatting with the delightfully mischievous Alice Gristle, author of the alternative-history, dark fantasy work The Blood Cup of Clairmont!

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Latest Work: The Blood Cup of Clairmont

The Blood Cup of Clairmont

1. Tell us about your cover. What does it show? Why is this one your favorite?

This is the cover I whipped up for The Blood Cup of Clairmont, my first novella. It’s part of my dark fantasy series that pays homage to (you guessed it!) Castlevania, that pulpiest of all pulpy platformers, where you can bullwhip Dracula. To honour the tradition of cheapness in pulp fiction (or out of laziness?) I spent an entire half hour in creating this cover. However, although I lavished neither time nor resources on it, some thought actually went into conjuring this cover.

First, I love minimalism. Minimalism is beauty. So, I wanted my cover to do as little as possible – just the title, author name, and some stylised element to round off the visual trinity. Canva, the site I worked with, provided these like burger steaks off McD grill.

Second, what colours to use? Black and red were le mot juste. They go well together both visually and thematically. Though I skimped on everything else, I did spend some time choosing the exact shade of red and black. Despite my cheapness and laziness, I have a pretty well-developed aesthetic sense. If I disobey that sense too much, I get a terrible aesthetic hangover, which I have to cure by binge eating chocolate truffles and weeping inside a blanket…

Third, what about continuity? The Blood Cup of Clairmont will have two sister novellas, further detailing the adventures of the Clairmont clan, so the covers need to march in tune. The second novella (hopefully coming out this December) will have a predominantly white cover, while the last novella relies on a combination of blue and black. Like The Blood Cup, they all obey the same principle of minimalism (or laziness). Also, together they suggest the colours of the flag of France, although in reverse. Fitting, since the Clairmont clan originates from France!

I’m actually contradicted about this cover. I’m ashamed of it, because, well, it’s pretty cheap. But at the same time, I’m proud of being ashamed of it. I mean, if this were in print, it would be on poor-quality recycled paper that tears on the first day of reading, and later you’d find it, mangled and coffee-stained, at some BookCrossing shelf, rubbing shoulders with lovely Harlequin romances and the Windows 98 User Manual. Perfectly pulp!

Find out more about what Alice is up to over at:

The Blood Cup of Clairmont can be purchased here

Indy Fantasy Writers: Richard M. Ankers!

indyfantasywritersToday I am happy to announce a new addition to this blog; guest posts by other indy authors on different aspects of their recent fantasy work. Why? Because indy writers need you! And they rock. One of my first introductions to the indy community came in the form of the small press zines – back in the day when that meant actual printed chapbooks and newsletters sent out by fans to their subscribers all over the world. Fantastic literature by way of punk rock, if you will. Many of those pen-and-paper storyzines have since folded – but the indy tradition has grown with the advent of digital self-publishing.

Every week, I will be featuring a different author talking on one subject, and the first season is “Covers”.

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Covers; they say that you shouldn’t judge a book by them, and yet many of us do. They are the first impression of our work, the hook that draws us in, the bold statement to the world about what secrets they are about to discover.

Without further ado, kicking off this new season is the studious and dedicated dark fantasy author, Richard M. Ankers!

Latest Work Title: Into Eternity

Series Title: The Eternals Series

Into Eternity, by Richard M. Ankers
1. Tell us about your cover. What does it show? Why is this one your favorite?

I was fortunate, although I’m no artist, to have sent some concept sketches with my original book submissions. My publisher took note of the style and had their own artist come up with appropriate covers.

I was most pleased with the final book in the series, Into Eternity, as it depicted the anti-hero, Jean, most accurately. The image of him brooding over a broken world was as good as I could ever have hoped for. There is something about the scene, perhaps its simplicity, that eludes to the story rather than outright forces it upon a reader. I liked this. I also liked Jean’s hands being in his pockets (his ennui is endless and that image speaks volumes.) The cover also allows a little scope for the reader to dream up their own thoughts about the situation. It is far better presenting something like this rather than giving the game away, especially when the final part of a trilogy. What’s the point of reading something if you already know the outcome?

I am, as are most people, drawn to visuals when purchasing a book. There are few things in marketing as important as a cover. I think mine is perfect for the Sci-Fi / Dark Fantasy setting that it describes. Good job, Mister Artist.

Thank you for reading,